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The notorious novel of dark obsession
How far will a woman go to express her love? In this exquisite novel of passion and desire, the answer emerges through a daring exploration of the deepest bonds of sensual domination. “O” is a beautiful Parisian fashion photographer, determined to understand and prove her consuming devotion to her lover, René, through complete submission to his every whim, his every desire.
It is a journey of forbidden, dangerous choices that sweeps her through the secret gardens of the sexual underground. From the inner sanctum of a private club where willing women are schooled in the art of subjugation to the excruciating embraces of René’s friend Sir Stephen, O tests the outermost limits of pleasure. For as O discovers, true freedom lies in her pure and complete willingness to do anything for love.
From the Trade Paperback edition.
- Sales Rank: #19238 in eBooks
- Published on: 2013-03-26
- Released on: 2013-03-26
- Format: Kindle eBook
Review
"'A rare thing, a pornographic book well written and without a trace of obscenity' Graham Greene 'A highly literary and imaginative work, the brilliance of whose style leaves one in no doubt whatever of the author's genius...a profoundly disturbing book, as well as a black tour-de-force' Spectator 'Here all kinds of terrors await us, but like a baby taking its mother's milk all pains are assuaged. Touched by the magic of love, everything is transformed. Story of O is a deeply moral homily' J.G. Ballard 'Cool, cruel, formalistic fantasy about a woman subjected - at the prce of the great love of her life - to the gamut of male sado-masochistic urges' Birmingham Post"
Review
'A rare thing, a pornographic book well written and without a trace of obscenity' --Graham Greene
'A highly literary and imaginative work, the brilliance of whose style leaves one in no doubt whatever of the author's genius ... a profoundly disturbing book, as well as a black tour-de-force' --Spectator
'Here all kinds of terrors await us, but like a baby taking its mother's milk all pains are assuaged. Touched by the magic of love, everything is transformed. Story of O is a deeply moral homily' --J.G. Ballard
‘A remarkable piece of work’ – Harold Pinter
From the Inside Flap
The classic erotic novel, THE STORY OF O relates the love of a beautiful Parisian fashion photographer for Rene. As part of that intense love, she demands debasement and severe sexual and pychological tests. It is a unique work not to be missed.
Most helpful customer reviews
307 of 322 people found the following review helpful.
Not for everyone...
By Felicia Aguilar
The Story of O is about a young, beautiful Parisian photographer named O who wants nothing more than to be her lover's slave. She goes through strict "training" for two weeks at Roissey, a club where other women like her learn how to "obey" their masters in whatever they order them to do, whether it be for their masters alone or for other members of the club. O goes through harsh punishments, such as being whipped and flogged daily and being chained to her bed every night. What is most disturbing about this first part of the book, is not O's harsh punishments that she endures, but the fact that she endures all this debasement willingly.
Though she may be considered as a masochist at the beginning of the novel, it becomes clear while reading through the rest of the novel that this is not the case. This is not so much a story about masochism, as it is more a story about love, about how much a woman would sacrifice for it, and the length a woman will go to keep her lover, Rene, happy. O derives no pleasure from the physical, emotional, and psychological torture she endures. Rather, her pleasure is derived from the aftermath of those things: the lashes to her skin, the debasement and objectification of her body and the cruelty that she willingly chooses to endure makes O "happy" in the fact that she is doing all this to please her lover.
O is not a prisoner or slave in the normal term of the word, but rather she is a slave to her love for Rene, as he has made it clear to her that she is free to leave anytime she desires. But she is blinded by her love for him and feels that by enduring the punishment he puts her through, she is becoming closer to him. Or rather, she is becoming his, his object, his property. O cannot stand the thought of losing him or of being separated from him and she feels that her submission to him proves to him that she is his and only his and he can do whatever he wants with her so long as he dos not leave her:
"O was happy that Rene had had her whipped and had prostituted her, because her impassioned submission would furnish her lover with the proof that she belonged to him, but also because the pain and shame of the lash, and the outrage inflicted upon her by those who compelled to her pleasure when they took her, and at the same time delighted in their own without paying the slightest heed to hers, seemed to her the very redemption of her sins."
I saw O, at times, when in the presence of her "masters" as very naive, bordering on the edge of foolish, but cannot help but feel that she deliberately acted this way to seem all the more submissive to them. The only time I ever see O, the real person and not as an object, was when she was with her lover Jacqueline. But I found it odd that O took on many of Rene's domineering characteristics while with Jacqueline, wanting to be in control of Jacqueline intimately, wanting to control her body the way Rene controlled O's. It was only when Jacqueline saw O's body, the marks of the flogging and her scars, that Jacqueline began to back away from O and O had "felt insulted at seeing Jacqueline's contempt for her condition as a flogged and branded slave, a condition of which O herself was proud".
This novel is definitely not for everyone. In fact, it's not for a lot of people due to the neverending violence. I have heard many people call this book "erotic" but it was nothing like that for me. The only reason I kept reading was because I was more intrigued by O. I wanted to understand her, but I think at the end, I was only more confused by her and her mindset. I began thinking toward the end of the novel that she was nothing more than a [...], which ironically, is just what O wanted people to think of her. I also began to greatly dislike her, whereas at the beginning of the novel I was indifferent to her. The ending of this book also left me with a feeling of emptiness as I still had more questions that will forever be unanswered.
What probably disturbed me most about this book, though, was surprisingly not the torture that O endured. If she had been unwilling, it would have caused me to sympathize for her but because she was a willing partner in it, I could not seem to find any kind of sympathy for her, except for at the very end which I will not give away here. That, in itself, disturbed me but what also disturbed me was the fact that I saw in O many characteristics that I have seen in a lot of women today: her willingness to please her lover, to go to drastic lengths to make her lover happy, and her blind passion for him.
130 of 143 people found the following review helpful.
Read out of curiosity
By A Customer
I read some of the customer reviews and I would like to clarify a couple of things. It seems that some of the readers did not pay much attention to the fact that Pauline Reage did not write this book. This book was written 40 years ago by an anonymous person. The reviews were negative toward the author and the writing style of the book which, I felt, was inncorrect on the part of the readers. Secondly, I feel that some of the readers did not understand that this was not, in my opinion, a romantic "love story." This book was about what O would do for her lover out of love. Yes, I believe that the characters ideals of love were extreme and very perverse, but that is not how I interpreted the book. To me, the book showed the enjoyment O received out of being submissive not only to Rene and Sir Stephen but to all men and women that wanted her to belong to them in everyway that was possible. This book took me by surprise but I would definitly recommend this book to anyone that has ever been curious about S/M. The Story of O will either push you into the exotic world of sado-masachisticism or it will completely horrify you. I would love to know who originally wrote the book but it will probably remain a mystery.
102 of 113 people found the following review helpful.
truly special
By EarthAngel
THE STORY OF O is a truly special work of literary art. For many of us, this was our introduction into a world that we didn't know existed outside of our own twisted minds. It was the first sign that we weren't freaks, or at least there were other freaks in the world, and we weren't alone.
There are aspects to this tale that may shock some people, or leave them with an unpleasant feeling after finishing it. And because of this, I believe it is important to understand why this book was written. THE STORY OF O was written by a French journalist named Anne Desclos (Dominique Aury) as both a love letter and the answer to a challenge by her boyfriend. He was an admirer of De Sade's erotica, and claimed that a woman could not write good erotica.
In the tradition of De Sade, she wrote a story of a young woman's descent into sexual degradation. O falls deeper and deeper until she reaches bottom and there is nowhere left to go, nothing left to do. What makes it truly stand out from De Sade and other male authors is the utterly feminine twist to the story: it is not lust that drives O down this path, but love: her love for Rene, at first, and later for Sir Stephen. O is a metaphor for Desclos' love for her lover, the whips and chains symbolize the strength of her devotion to him. The ending represents her fear of her lover tiring of her and abandoning her for a younger woman. (This is a very simplified explanation, there are several excellent essays of the various interpretations of the symbolism in this book, and can be found by doing a search for `The Story of O'.)
Desclos' lover was so impressed by her story he encouraged her to seek publication. And so she did, using the pseudonym, Pauline Reage. The novel was a near instant success, and for forty years no one knew the true identity of the writer and there were countless theories and rumors. Credit was given to numerous authors, some of them men. Just before her death in 1998, Anne Desclos revealed that she was the mysterious Pauline Reage.
When I first read this novel I had very strong mixed feelings about it. On one hand I was entranced by it. It was incredibly hot, but it was also elegant. This was not pornography meant to be read once and thrown away. The elegant prose, and unashamed, cultured voice told a story of a love so deep death was preferable to its loss, while simultaneously teasing with taboo elements `good' people did not speak of.
But I hated the end. O's masters didn't deserve her. I wanted to rewrite the ending, make O kick those jerks to the curb and run off with her girlfriend. And it disturbed me, because I've known women in my life that would go that far to keep a man from leaving, and they always ended up betrayed and abandoned in the end, too. THE STORY OF O inadvertently illustrates a terrible truth of womanhood, and it's easy to forget that the author wasn't trying to make a statement. She was merely telling a story, not advocating abuse or codependency.
TSOO is an erotic fantasy, nothing more. You'll get the most enjoyment out of it if you just allow it to be what it is and try and avoid reading into it any deeper messages. And if it's still not your cup o' tea, well, that's fine, too. I'm sure there are countless other books that will be. For the rest of us, this book is something special and will always be treasured despite, or maybe because of, the controversy surrounding it.
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