Kamis, 02 Juli 2015

~~ Fee Download , by Night in Chile

Fee Download , by Night in Chile

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, by Night in Chile

, by Night in Chile



, by Night in Chile

Fee Download , by Night in Chile

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, by Night in Chile

  • Sales Rank: #4294065 in Books
  • Published on: 2002-12-01
  • Number of items: 2
  • Binding: Paperback

Most helpful customer reviews

0 of 0 people found the following review helpful.
"Silences rise to heaven too."
By Michael J. Ettner
Note: Dozens of readers have posted their thoughts about "By Night in Chile" on Amazon's main product page for this book, here: By Night in Chile. Collectively, those reviews convey a sense of the difficulties and pleasures of Bolaño's short novel.

"By Night in Chile" takes the form of a deathbed confession delivered by a Chilean priest, poet and conservative literary critic, Fr. Urrutia. The book's principal challenge to the uninitiated reader is that it is set in a time, place, culture and political atmosphere unknown to all but a few American readers. If you've read the positive reviews of readers who were enthralled by the novel, you understand their urge to place its challenges in context. For example, one reviewer, Rhoda, felt compelled to shed light on just one of the esoteric aspects of the book -- namely, how Opus Dei, an organization within the Catholic Church, misguides the fictional priest and bends the arc of his life toward fatal choices. An understanding of all the foreign details of this sort, and a familiarity with the real life figures who pop up in the priest's stream of memories (Pablo Neruda, Ernst Junger, Marta Harnecker) are useful, without doubt. But I believe such foreknowledge is not essential to an immediate enjoyment of the book, so long as you are the kind of reader who takes greater delight in experiencing a literary tour de force that draws you toward a readily understandable moral, a simple truth.

"By Night in Chile" is a bravura performance by Bolaño. The author has found a distinct way to enwrap and deliver each recollection, each story within a story, each aside, each shift in time, each gruesome discovery, and each blow to the soul, that passes through the dying priest's sometimes clear, sometimes feverish, mind. The reviewer named Lost High Guey cites as a defining characteristic of the book, this constant outpouring of side-stories, little morsels, poetry masked by prose. Two or three reviewers found this "meandering" style off-putting, but others of us appreciate the strategy as Bolaño's signature mode. For us it is an ever-surprising joy. The reviewer Giordano Bruno describes a social occasion the Spanish refer to as a "tertulio" at which guests discuss literature, read their works, and hold forth in competitive intellectuality. He likens it to boastful conversations heard in an Ivy League dining hall. Even closer to the mark -- and closer to what I think is the generative force of Bolaño's communicative charm -- is the practice and spirit of an all-night "bull session" conducted in college dorms or in fact anywhere the young are assembled in strange new quarters as they undergo mind-altering training. If you typically avoided invitations to join in such sessions, you should avoid "By Night in Chile."

Literature has been enriched by the confessional form. Think of Coleridge's "The Rime of the Ancient Mariner," Browning's "My Last Duchess," Camus' "The Fall." The confession is a hospitable device for an author interested in psychological exploration and revelation. A man unspools a story of some evil he witnessed or participated in, a sin that weighs upon him, a sin he now owns up to or, alternatively, seeks to justify. His speech ends with a request, express or implied, for the listener (the reader) to understand, to expiate. The framework of "By Night in Chile" borrows from this tradition, and yet the book is frustrating as a confession. Perhaps it is as much of a confession as the present era allows. The state of Fr. Urrutia's soul at the close of his tale is, at least to me, uncertain. That uncertainty led me to trace my steps back to the beginning of the book, where I found the priest's opening statement of purpose.

Then I understood this is a deeply religious tale, a profoundly moral story. The dying priest, who hoped he could convince himself he had committed no crimes, is by his own reckoning guilty of sins of omission. It is on page one that he reveals a simple credo. The reader, when first encountering these words, may dismiss them as a bromidic utterance, jejune, self-congratulatory. But when read a second time, after curling back from the novel's end, the words shine clear:

"One has a moral obligation to take responsibility for one's actions, and that includes one's words and silences, yes, one's silences, because silences rise to heaven too, and God hears them . . . so one must be very careful with one's silences."

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~~ Fee Download , by Night in Chile Doc

~~ Fee Download , by Night in Chile Doc

~~ Fee Download , by Night in Chile Doc
~~ Fee Download , by Night in Chile Doc

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